Tragédie En Musique
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Tragédie en musique (, ''musical tragedy''), also known as tragédie lyrique (, ''lyric tragedy''), is a genre of
French opera French opera is one of Europe's most important operatic traditions, containing works by composers of the stature of Rameau, Berlioz, Gounod, Bizet, Massenet, Debussy, Ravel, Poulenc and Messiaen. Many foreign-born composers have played a part i ...
introduced by
Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...
and used by his followers until the second half of the eighteenth century. Operas in this genre are usually based on stories from
Classical mythology Classical mythology, Greco-Roman mythology, or Greek and Roman mythology is both the body of and the study of myths from the ancient Greeks and ancient Romans as they are used or transformed by cultural reception. Along with philosophy and polit ...
or the Italian romantic epics of
Tasso TASSO (Two Arm Spectrometer SOlenoid) was a particle detector at the PETRA particle accelerator at the German national laboratory DESY. The TASSO collaboration is best known for having discovered the gluon, the mediator of the strong interaction an ...
and
Ariosto Ludovico Ariosto (; 8 September 1474 – 6 July 1533) was an Italian poet. He is best known as the author of the romance epic ''Orlando Furioso'' (1516). The poem, a continuation of Matteo Maria Boiardo's ''Orlando Innamorato'', describes the ...
. The stories may not necessarily have a tragic ending – in fact, most do not – but the works' atmospheres are suffused throughout with an affect of nobility and stateliness. The standard ''tragédie en musique'' has five acts. Earlier works in the genre were preceded by an allegorical prologue and, during the lifetime of
Louis XIV , house = Bourbon , father = Louis XIII , mother = Anne of Austria , birth_date = , birth_place = Château de Saint-Germain-en-Laye, Saint-Germain-en-Laye, France , death_date = , death_place = Palace of Vers ...
, these generally celebrated the king's noble qualities and his prowess in war. Each of the five acts usually follows a basic pattern, opening with an aria in which one of the main characters expresses their feelings, followed by dialogue in recitative interspersed with short arias (''petits airs''), in which the main business of the plot occurs. Each act traditionally ends with a ''divertissement'', offering great opportunities for the chorus and the ballet troupe. Composers sometimes changed the order of these features in an act for dramatic reasons.


Notable examples of the genre

Apart from Lully, the most considerable writer of ''tragédies en musique'' is
Rameau Jean-Philippe Rameau (; – ) was a French composer and music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of French opera an ...
, whose five works in the form are considered the culminating masterpieces of the genre. The ''Viking Opera Guide'' refers to
Marc-Antoine Charpentier Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still us ...
's ''tragédie'' ''
Médée ''Médée'' is a dramatic tragedy in five acts written in alexandrine verse by Pierre Corneille in 1635. Summary The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée ...
'' as "arguably the finest French opera of the seventeenth century". In the eighteenth century,
Jean-Marie Leclair Jean-Marie Leclair l'aîné (Jean-Marie Leclair the Elder) (10 May 1697 – 22 October 1764) was a French Baroque violinist and composer. He is considered to have founded the French violin school. His brothers, the lesser-known Jean-Marie ...
's lone ''tragédie
Scylla et Glaucus ''Scylla et Glaucus'' (''Scylla and Glaucus'') is a tragédie en musique with a prologue and five acts, the only surviving full-length opera by Jean-Marie Leclair. The French-language libretto by d'Albaret is based on Ovid's ''Metamorphoses'', bo ...
'' has been similarly praised. Other highly esteemed exponents are André Campra (''
Tancrède ''Tancrède'' is a 1702 ''tragédie en musique'' (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on ''Gerusalemme liberata'' by Torquato Tasso. The opera ...
'', ''
Idoménée ''Idoménée'' (English: ''Idomeneus'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Idoménée'' was first performed on 12 January 1712 by the Académie royale de ...
''),
Marin Marais Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colomb ...
('' Alcyone'', Sémélé) and
Michel Pignolet de Montéclair Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in hi ...
(''
Jephté ''Jephté'' (''Jephtha'') is an opera by the French composer Michel Pignolet de Montéclair. It takes the form of a ''tragédie en musique'' in a prologue and five acts (because of its subject matter it was also styled a ''tragédie biblique''). Th ...
'').


List of works in this genre (Baroque era)


Jean-Baptiste Lully Jean-Baptiste Lully ( , , ; born Giovanni Battista Lulli, ; – 22 March 1687) was an Italian-born French composer, guitarist, violinist, and dancer who is considered a master of the French Baroque music style. Best known for his operas, he ...

*''
Cadmus et Hermione ''Cadmus et Hermione'' is a ''tragédie en musique'' in a prologue and five acts by Jean-Baptiste Lully. The French-language libretto is by Philippe Quinault, after Ovid's ''Metamorphoses''. It was first performed on 27 April 1673 by the Paris O ...
'' (1673) *'' Alceste'' (1674) *''
Thésée ''Thésée'' (; ) is a ''tragédie en musique'', an early type of French opera, in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault based on Ovid's ''Metamorphoses''. It was first performed on 11 ...
'' (1675) *'' Atys'' (1676) *''
Isis Isis (; ''Ēse''; ; Meroitic: ''Wos'' 'a''or ''Wusa''; Phoenician: 𐤀𐤎, romanized: ʾs) was a major goddess in ancient Egyptian religion whose worship spread throughout the Greco-Roman world. Isis was first mentioned in the Old Kingd ...
'' (1677) *''
Psyché Psyche (''Psyché'' in French) is the Greek term for "soul" (ψυχή). Psyche may also refer to: Psychology * Psyche (psychology), the totality of the human mind, conscious and unconscious * ''Psyche'', an 1846 book about the unconscious by Car ...
'' (1678) *'' Bellérophon'' (1679) *'' Proserpine'' (1680) *''
Persée ''Persée'' (''Perseus'') is a tragédie lyrique with music by Jean-Baptiste Lully and a libretto by Philippe Quinault, first performed on 18 April 1682 by the Opéra at the Théâtre du Palais-Royal in Paris. Roles Synopsis ACT I: The Pal ...
'' (1682) *'' Phaëthon'' (1683) *'' Amadis'' (1684) *''
Roland Roland (; frk, *Hrōþiland; lat-med, Hruodlandus or ''Rotholandus''; it, Orlando or ''Rolando''; died 15 August 778) was a Frankish military leader under Charlemagne who became one of the principal figures in the literary cycle known as the ...
'' (1685) *'' Armide'' (1686) *''
Achille et Polyxène ''Achille et Polyxène'' (''Achilles and Polyxena'') is a tragédie lyrique containing a prologue and five acts based on Virgil's ''Aeneid'' with a French libretto by Jean Galbert de Campistron. The opera's overture and first act were composed by ...
'' (1687, completed by
Pascal Collasse Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage ...
)


Works by Lully's sons

*'' Orphée'' (1690) (by Louis and Jean-Baptiste the Younger) *'' Alcide'' (by Louis Lully and Marin Marais)


Paolo Lorenzani Paolo Francesco Lorenzani (5 January 1640 – 28 October 1713) was an Italian composer of the Baroque Era. While living in France, he helped promote appreciation for the Italian style of music. Lorenzani was born in Rome and was trained by ...

*''
Oronthée ''Oronthée'' (or ''Orontée'') is a French-language opera by the composer Paolo Lorenzani, first performed by the singers and musicians of the Académie Royale de Musique (the Paris Opera) at Chantilly on 23 August 1688 as part of the celebratio ...
'' (1688)


Pascal Collasse Pascal Collasse (or Colasse) (22 January 1649 (baptised) – 17 July 1709) was a French composer of the Baroque era. Born in Rheims, Collasse became a disciple of Jean-Baptiste Lully during the latter's domination of the French operatic stage ...

*''
Thétis et Pélée ''Thétis et Pelée'' (''Thetis and Peleus'') is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 11 January 1689. It takes the form of a ''tragédie lyrique This is a glo ...
'' (1689) *'' Énée et Lavinie'' (1691) *'' Astrée'' (1691) *'' Jason, ou La toison d'or'' (1696) *'' Canente'' (1700) *''
Polyxène et Pirrhus ''Polyxène et Pirrhus'' (''Polyxena and Pyrrhus'') is an opera by the French composer Pascal Collasse, first performed at the Académie Royale de Musique (the Paris Opéra) on 21 October 1706. It takes the form of a ''tragédie lyrique'' in a p ...
'' (1706)


Marc-Antoine Charpentier Marc-Antoine Charpentier (; 1643 – 24 February 1704) was a French Baroque composer during the reign of Louis XIV. One of his most famous works is the main theme from the prelude of his ''Te Deum'', ''Marche en rondeau''. This theme is still us ...

*''
David et Jonathas ''David et Jonathas'' (''David and Jonathan''), H. 490, is an opera in five acts and a prologue by the French composer Marc-Antoine Charpentier, first performed at the Collège Louis-le-Grand, Paris, on 28 February 1688. The libretto, b ...
'' (1688) *''Celse martyr'' (1687, lost) *''Philomèle'' (lost) *''Artaxerse'' (lost) *''
Médée ''Médée'' is a dramatic tragedy in five acts written in alexandrine verse by Pierre Corneille in 1635. Summary The heroine of the play is the sorceress Médée. After Médée gives Jason twin boys, Jason leaves her for Creusa. Médée ...
'' (1693)


Henri Desmarets

*'' Didon'' (1693) *'' Circé'' (1694) *''
Théagène et Chariclée ''Théagène et Chariclée'', originally spelt ''Théagène et Cariclée'' (''Theagenes and Chariclea''), is an opera by the French composer Henri Desmarets, first performed at the Académie Royale de Musique (the Paris Opera) on 12 April 1695. ...
'' (1695) *''
Vénus et Adonis ''Vénus et Adonis'' is an opera (''tragédie en musique'') in a prologue and 5 acts composed by Henri Desmarets to a libretto by Jean-Baptiste Rousseau. Based on the story of Venus and Adonis in Book X of Ovid's ''Metamorphoses'', it was first ...
'' (1697) *'' Iphigénie en Tauride'' (1704, completed by Campra) *'' Renaud ou la suite d'Armide'' (1722)


Marin Marais Marin Marais (; 31 May 1656, in Paris – 15 August 1728, in Paris) was a French composer and viol player. He studied composition with Jean-Baptiste Lully, often conducting his operas, and with master of the bass viol Monsieur de Sainte-Colomb ...

*'' Alcide'' (1693) (with Lully's son, Louis) *''
Ariane et Bacchus (''Ariadne and Bacchus'') is an opera by Marin Marais first performed at the Académie Royale de Musique (the Paris Opera) on 8 March 1696. It takes the form of a ''tragédie en musique'' in five acts and a prologue. The libretto by Saint-Jean i ...
'' (1696) *'' Alcyone'' (1706) *''
Sémélé is an opera by Marin Marais with a libretto by Antoine Houdar de la Motte first performed on 9 April 1709, by the Paris Opera at the Théâtre du Palais-Royal. The opera is in the form of a ''tragédie en musique'' with a prologue and five acts ...
'' (1709)


Élisabeth Jacquet de La Guerre Élisabeth Claude Jacquet de La Guerre (, née Jacquet, 17 March 1665 – 27 June 1729) was a French musician, harpsichordist and composer. Life and works Élisabeth-Claude Jacquet de La Guerre (née Jacquet) was born on March 17, 1665, into a ...

*'' Céphale et Procris'' (1694)


Charles-Hubert Gervais

*'' Méduse'' (1697) *''
Hypermnestre ''Hypermnestre'' (''Hypermnestra'') is an opera by the French composer Charles-Hubert Gervais, first performed at the Académie Royale de Musique (the Paris Opera) on 3 November 1716. It takes the form of a ''tragédie en musique'' in a prologue ...
'' (1716)


André Cardinal Destouches André Cardinal Destouches (sometimes called des Touches) (baptised 6 April 1672  – 7 February 1749) was a French composer best known for the ''opéra-ballet'' ''Les élémens''. Biography Born in Paris, the son of Étienne Cardinal, a ...

*''
Amadis de Grèce ''Amadis de Grèce'' (''Amadis of Greece'') is an opera by the French composer André Cardinal Destouches, first performed at the Académie Royale de Musique (the Paris Opera) on 26 March 1699. It takes the form of a ''tragédie en musique'' in a ...
'' (1699) * '' Marthésie, reine des Amazones'' (1699) *''
Omphale In Greek mythology, Omphale (; Ancient Greek: Ὀμφάλη) was queen of the kingdom of Lydia in Asia Minor. Diodorus Siculus provides the first appearance of the Omphale theme in literature, though Aeschylus was aware of the episode. The Gree ...
'' (1701) *''
Callirhoé ''Callirhoé'' is an opera by the French composer André Cardinal Destouches. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Pierre-Charles Roy, is based on a story from ''The Description of Greece'' ...
'' (1712) *'' Télémaque'' (or ''Télémaque et Calypso'') (1714) *'' Sémiramis'' (1718)


André Campra

*''
Hésione ''Hésione'' (English: ''Hesione'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Danchet, is based on the Greek myth of Hesione and Laome ...
'' (1700) *''
Tancrède ''Tancrède'' is a 1702 ''tragédie en musique'' (a French opera in the lyric tragedy tradition) in a prologue and five acts by composer André Campra and librettist Antoine Danchet, based on ''Gerusalemme liberata'' by Torquato Tasso. The opera ...
'' (1702) *'' Télémaque'' (1704) *''
Alcine ''Alcine'' (English: ''Alcina'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by Antoine Danchet, is based on cantos IV, VI and VII of Ariosto's epi ...
'' (1705) *''
Hippodamie ''Hippodamie'' is an opera by the French composer André Campra, first performed at the Académie Royale de Musique (the Paris Opera) on 6 March 1708. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by ...
'' (1708) *''
Idoménée ''Idoménée'' (English: ''Idomeneus'') is an opera by the French composer André Campra. It takes the form of a ''tragédie en musique'' in a prologue and five acts. ''Idoménée'' was first performed on 12 January 1712 by the Académie royale de ...
'' (1712) *'' Télèphe'' (1713) *'' Camille, reine des volsques'' (1717) *'' Achille et Déidamie'' (1735)


Theobaldo di Gatti Theobaldo di Gatti (c.1650-1727) was a composer and musician, born in Florence. He moved from Italy to France after hearing the music of Jean-Baptiste Lully. King Louis XIV made him a naturalised French subject in 1675. In France he was simply known ...

*''
Scylla In Greek mythology, Scylla), is obsolete. ( ; grc-gre, Σκύλλα, Skúlla, ) is a legendary monster who lives on one side of a narrow channel of water, opposite her counterpart Charybdis. The two sides of the strait are within an arrow's r ...
'' (1701)


Jean-Féry Rebel Jean-Féry Rebel (18 April 1666 – 2 January 1747) was an innovative French Baroque composer and violinist. Biography Rebel, a child violin prodigy, was the most famous offspring of Jean Rebel, a tenor in Louis XIV's private chapel. He late ...

*'' Ulysse'' (1703)


François Bouvard François Bouvard (c. 1684–1760) was a French composer of the Baroque era. Originally from Lyon, Bouvard began his career as a singer at the Paris Opéra at the age of sixteen. When the quality of his voice deteriorated, he went to study in Rome ...

*'' Médus, roi des Mèdes'' (1702)


Louis Lacoste Louis Lacoste (April 3, 1798 – November 26, 1878) was a Quebec notary and political figure. He was a Conservative member of the Senate of Canada from 1867 to 1878. He was born in Boucherville in 1798. He studied law and became a notary, ...

*'' Philomèle'' (1705) *''
Bradamante Bradamante (occasionally spelled Bradamant) is a fictional knight heroine in two epic poems of the Renaissance: ''Orlando Innamorato'' by Matteo Maria Boiardo and ''Orlando Furioso'' by Ludovico Ariosto. Since the poems exerted a wide influence ...
'' (1707) *'' Créuse l'athénienne'' (1712) *'' Télégone'' (1725) *'' Orion'' (1728) *''
Biblis Biblis is a municipality in the Bergstraße district in southern Hessen, Germany. Geography Location The municipality lies in the Rhine rift west of the Odenwald between Darmstadt to the north and Mannheim to the south; it also lies north of ...
'' (1732)


Toussaint Bertin de la Doué Toussaint Bertin de la Doué (or Thomas Bertin de la Doué) (1680 – 6 February 1743) was a French composer of the Baroque era. He worked as an organist for the Theatines, as a musician for the Duc d'Orléans and as a violinist and harpsichordi ...

*''
Cassandre Cassandre, pseudonym of Adolphe Jean-Marie MouronNotice d'autorité personne ...
'' (1706) (with François Bouvard) *'' Diomède'' (1710) *''
Ajax Ajax may refer to: Greek mythology and tragedy * Ajax the Great, a Greek mythological hero, son of King Telamon and Periboea * Ajax the Lesser, a Greek mythological hero, son of Oileus, the king of Locris * ''Ajax'' (play), by the ancient Greek ...
'' (1712)


Jean-Baptiste Stuck Jean-Baptiste Stuck (also known by the single moniker "Baptistin," "Batistin" or "Battistin") (6 May 16808 December 1755) was an Italian-French composer and cellist of the Baroque era. Little is known of Stuck's early years. He was born at Livorno ...

*''
Méléagre ''Méléagre'' (''Meleager'') is an opera by the French-Italian composer Jean-Baptiste Stuck, first performed at the Académie Royale de Musique (the Paris Opera) on 24 May 1709. It takes the form of a ''tragédie en musique'' in a prologue and ...
'' (1709) *''
Manto la fée ''Manto la fée'' (''Manto the Fairy'') is an opera by the French-Italian composer Jean-Baptiste Stuck, first performed at the Académie Royale de Musique (the Paris Opera) on 29 January 1711. It takes the form of a ''tragédie en musique Tragéd ...
'' (1711) *''
Polydore ''Polydore'' (''Polydorus'') is an opera by the French-Italian composer Jean-Baptiste Stuck, first performed at the Académie Royale de Musique (the Paris Opera) on 15 February 1720. It takes the form of a ''tragédie en musique'' in a prologue ...
'' (1720)


Joseph François Salomon Joseph François Salomon (April 1649 – 5 March 1732) was a French composer of the Baroque era. Born in Toulon, he learnt to play the bass viol and the harpsichord, and went to Paris to work as a musician for the royal family. He was 52 when he c ...

*'' Médée et Jason'' (1713) *'' Théonoé'' (1715)


Jean-Baptiste Matho Jean-Baptiste Matho (16 March 1663 – 16 March 1743) was a French composer of the Baroque era. Born in Montfort-sur-Meu near Rennes, his name was originally M. F. H. Thomassin. As a child, Matho attracted attention for the quality of his singing ...

*''
Arion Arion (; grc-gre, Ἀρίων; fl. c. 700 BC) was a kitharode in ancient Greece, a Dionysiac poet credited with inventing the dithyramb. The islanders of Lesbos claimed him as their native son, but Arion found a patron in Periander, tyrant ...
'' (1714)


Jean-Joseph Mouret Jean-Joseph Mouret (11 April 1682 in Avignon – 22 December 1738 in Charenton-le-Pont) was a French composer whose dramatic works made him one of the leading exponents of Baroque music in his country. Even though most of his works are rarely per ...

*'' Ariane'' (1717) *'' Pirithoüs'' (1723)


François Francoeur François Francœur (8 September 1698 – 5 August 1787) was a French composer and violinist. Biography François Francœur was born in Paris, the son of Joseph Francœur, a basse de violon player and member of the '' 24 violons du roy''. Franc ...
and
François Rebel François Rebel (19 June 17017 November 1775) was a French composer of the Baroque era. Born in Paris, the son of the leading composer Jean-Féry Rebel, he was a child prodigy who became a violinist The following lists of violinists are availab ...

*'' Pirame et Thisbé'' (1726) *''
Tarsis et Zélie ''Tarsis et Zélie'' is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 19 October 1728. It takes the form of a ''tragédie en musique Tragédie en ...
'' (1728) *''
Scanderberg ''Scanderberg'' is an opera by the French composers François Francoeur and François Rebel, first performed at the Académie Royale de Musique (the Paris Opera) on 27 October 1735. It takes the form of a ''tragédie en musique'' in a prologue an ...
'' (1735)


Joseph-Nicolas-Pancrace Royer Joseph-Nicolas-Pancrace Royer (12 May 1703 – 11 January 1755) was a French composer, harpsichordist, organist, and administrator.Lionel Sawkins and David Fuller"Royer, Joseph-Nicolas-Pancrace" Grove Music Online. Biography Born in Turin, Roy ...

*'' Pyrrhus'' (1730)


Michel Pignolet de Montéclair Michel Pignolet de Montéclair (4 December 1667 – 22 September 1737) was a French composer of the baroque period. He was born Michel Pignolet in Andelot, Haute-Marne, France, and only later added "Montéclair" (the name of a fortress in hi ...

*''
Jephté ''Jephté'' (''Jephtha'') is an opera by the French composer Michel Pignolet de Montéclair. It takes the form of a ''tragédie en musique'' in a prologue and five acts (because of its subject matter it was also styled a ''tragédie biblique''). Th ...
'' (1732)


Jean-Philippe Rameau Jean-Philippe Rameau (; – ) was a French composer and music theory, music theorist. Regarded as one of the most important French composers and music theorists of the 18th century, he replaced Jean-Baptiste Lully as the dominant composer of Fr ...

*''
Hippolyte et Aricie ('' Hippolytus and Aricia'') was the first opera by Jean-Philippe Rameau. It was premiered to great controversy by the Académie Royale de Musique at its theatre in the Palais-Royal in Paris on October 1, 1733. The French libretto, by Abbé S ...
'' (1733) *''
Castor et Pollux ''Castor et Pollux'' (''Castor and Pollux'') is an opera by Jean-Philippe Rameau, first performed on 24 October 1737 by the Académie royale de musique at its theatre in the Palais-Royal in Paris. The librettist was Pierre-Joseph-Justin Bernard ...
'' (1737) *'' Dardanus'' (1739) *''
Zoroastre ''Zoroastre'' (''Zoroaster'') is an opera by Jean-Philippe Rameau, first performed on 5 December 1749 by the Opéra in the first Salle du Palais-Royal in Paris. The libretto is by Louis de Cahusac. ''Zoroastre'' was the fourth of Rameau's '' trag ...
'' (1749) *''
Les Boréades ''Les Boréades'' is a ''tragédie lyrique mise en musique'', or a lyric tragedy put into music, a type of opera, in five acts by Jean-Philippe Rameau (1683-1764). It is the last of his five such works. The libretto, attributed to Louis de Cahus ...
'' (1764)


Charles-Louis Mion Charles-Louis Mion (17 December 1699 – 12 September 1775) was a French composer of the Baroque era. He was the grand-nephew of Michel Richard Delalande who also taught him music. Between 1710 and 1718 he was a choirboy at the Sainte-Chapelle du P ...

*''
Nitétis ''Nitétis'' is an opera by the French composer Charles-Louis Mion, first performed at the Académie Royale de Musique (the Paris Opera) on 11 April 1741. It takes the form of a ''tragédie en musique'' in a prologue and five acts. The libretto, by ...
'' (1741)


François Colin de Blamont François Colin de Blamont (22 November 1690 – 14 February 1760) was a French composer of the Baroque era. Born at Versailles as François Colin, he served as a royal musician and was eventually ennobled in 1750, his surname becoming ''Colin de ...

*'' Jupiter vainqueur des Titans'' (1745) (with
Bernard de Bury Bernard de Bury or Buri (20 August 1720 – 19 November 1785) was a French musician and court composer of the late Baroque era. Biography Bernard de Bury was born at Versailles, a member of a family of musicians, many of whom had appointments to t ...
)


Jean-Marie Leclair Jean-Marie Leclair l'aîné (Jean-Marie Leclair the Elder) (10 May 1697 – 22 October 1764) was a French Baroque violinist and composer. He is considered to have founded the French violin school. His brothers, the lesser-known Jean-Marie ...

*''
Scylla et Glaucus ''Scylla et Glaucus'' (''Scylla and Glaucus'') is a tragédie en musique with a prologue and five acts, the only surviving full-length opera by Jean-Marie Leclair. The French-language libretto by d'Albaret is based on Ovid's ''Metamorphoses'', bo ...
'' (1746)


Marquis de Brassac

*''
Léandre et Héro ''Léandre et Héro'' (''Leander and Hero'') is an opera by the French composer the Marquis de Brassac, first performed at the Académie Royale de Musique (the Paris Opera) on 25 April (or the 5 May) 1750.''Livrets baroques'' gives 25 April, Cl ...
'' (1750)


Antoine Dauvergne Antoine Dauvergne (3 October 1713 – 11 February 1797) was a French composer and violinist. Dauvergne was born in Moulins, Allier. He served as master of the ''Chambre du roi'', director of the Concert Spirituel from 1762 to 1771, and direc ...

*'' Énée et Lavinie'' (1758) *'' Canente'' (1760) *'' Hercule mourant'' (1761) *''
Polixène ''Polixène'' (''Polyxena'') is an opera by the French composer Antoine Dauvergne, first performed at the Académie Royale de Musique (the Paris Opera, Paris Opéra) on 11 January 1763. It takes the form of a ''tragédie en musique, tragédie lyri ...
'' (1763)


Jean-Benjamin de La Borde Jean-Benjamin François de la Borde (5 September 1734 – 22 July 1794) was a French composer, writer on music and '' fermier général'' (farm tax collector). Born into an aristocratic family, he studied violin under Antoine Dauvergne and composi ...

*'' Ismène et Isménias'' (1763)


Jean-Joseph de Mondonville Jean-Joseph de Mondonville (, 25 December 1711 (baptised) – 8 October 1772), also known as Jean-Joseph Cassanéa de Mondonville, was a French violinist and composer. He was a younger contemporary of Jean-Philippe Rameau and enjoyed great succes ...

*''
Thésée ''Thésée'' (; ) is a ''tragédie en musique'', an early type of French opera, in a prologue and five acts with music by Jean-Baptiste Lully and a libretto by Philippe Quinault based on Ovid's ''Metamorphoses''. It was first performed on 11 ...
'' (1765)


Johann Christian Bach Johann Christian Bach (September 5, 1735 – January 1, 1782) was a German composer of the Classical period (music), Classical era, the eighteenth child of Johann Sebastian Bach, and the youngest of his eleven sons. After living in Italy for ...

* Amadis de Gaule (J. C. Bach) (1779)


References

*Warrack, John and West, Ewan (1992), ''The Oxford Dictionary of Opera'', 782 pages,


External links

{{DEFAULTSORT:Tragedie en musique Opera genres Opera terminology *